Thescreescore – In a surprising turn of events at the South Korean box office, the 2026 South Korean reimagining of Nancy Meyers’ beloved 2015 comedy-drama, "The Intern," has officially dethroned Christopher Nolan’s cinematic behemoth, "The Odyssey." This unexpected victory brings an end to "The Odyssey’s" remarkable 43-day consecutive reign atop the charts, marking a significant moment for local cinema.
Titled "Inteon" locally, this fresh take on the intergenerational workplace dynamic is helmed by director Kim Do-Young, known for "Once We Were Us." It features a stellar cast led by veteran actor Choi Min-sik, celebrated for his roles in "Oldboy" and "I Saw the Devil," portraying a seasoned individual embarking on an internship at a bustling fashion firm. Opposite him, Han So-hee, acclaimed for "Gyeongseong Creature," plays the youthful female CEO with whom he forges an improbable connection. The ensemble cast further boasts talents like Ryu Hye-young, Kang Tae-oh, and Yoon Sang-jeong. The original 2015 "The Intern," starring Anne Hathaway and Robert De Niro, was a quiet success, grossing $195.8 million worldwide against a modest $30 million budget.

According to the official figures released by the Korean Film Council, the Ministry of Culture, Sports and Tourism’s authoritative body for film, "The Intern" secured the top spot on September 18th. The film garnered an impressive 61,127 admissions, narrowly surpassing "The Odyssey’s" 55,190 patrons for the day. This decisive win officially concludes the epic’s extraordinary run, which commenced on August 5th in South Korea, approximately three weeks after its U.S. premiere.

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Christopher Nolan’s "The Odyssey" has undeniably been a monumental global cinematic event, with its South Korean box office contribution of $81 million playing a part in its staggering $1.084 billion international and $1.689 billion worldwide haul, positioning it as the 12th highest-grossing film in history. While this marks the end of its continuous dominance, the tight margin between its daily admissions and "The Intern’s" suggests that "The Odyssey" could potentially reclaim the top position in the coming days, further adding to its already legendary run.
Despite being nudged to second place, "The Odyssey’s" enduring appeal is evident; it continues to outperform numerous other significant domestic and international releases in the region. For context, here’s a snapshot of South Korea’s top-performing films on September 18th:
- The Intern: 61,127 admissions
- The Odyssey: 55,190 admissions
- Obsession: 31,447 admissions
- Resident Evil: 21,384 admissions
- Spider-Man: Brand New Day: 6,108 admissions
- Reawakened Man: 5,124 admissions
- The Assassin(s): 4,319 admissions
- The Drama: 2,892 admissions
- The Girl Who Leapt Through Time: 2,860 admissions
- Digimon Adventure & Digimon Adventure Our War Game!: 2,007 admissions
To fully appreciate "The Intern’s" impressive performance, one can contextualize it against the North American domestic box office. Assuming an average ticket price of $15, its single-day admissions would translate to approximately $916,905. On a recent Friday (September 11th) in the U.S. and Canada, fewer than ten films managed to exceed this figure, highlighting the remake’s robust draw.
This achievement is particularly noteworthy given South Korea’s population of 52 million, considerably smaller than the combined 383 million residents of the U.S. and Canada. When adjusted for this population disparity, "The Intern’s" daily gross would hypothetically soar to an estimated $6.7 million. Such a figure would have positioned it as the second highest-grossing domestic film on September 11th, nestled comfortably between the Alan Ritchson action-comedy "Runner" ($2.6 million) and the highly anticipated legacy sequel "Practical Magic 2" ($13.1 million).
The ultimate trajectory of "The Intern’s" box office journey, both domestically and internationally, remains to be seen. Nevertheless, its undeniable success in unseating a global juggernaut like "The Odyssey" signals strong momentum and positions it as a significant contender for a major hit, solidifying the power of local storytelling and remakes.
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